Sherlock and Watson find themselves in Victorian era in this holiday special as they try to solve an old mystery. It’s funny and flashy but is it as good as the 9 episodes of brilliant television that preceded it.
Benedict Cumberbatch and Martin Freeman pick up where they left off, as Sherlock and Watson respectively, with that great chemistry that we’ve become accustomed to and the back and forth banter. It’s also good to see the whole cast involved in one way or the other, reprising their roles in a different era.
The episode does well in tying in with the rest of the show and along with keeping the character interaction the same that’s probably its greatest achievement. The continuous references to people not being happy with Watson’s representation in his tales is as good as any of the multiple on-going jokes that are the closest thing to the Sherlock we are used. The gothic setting is fresh and exciting and there are some genuine jump scares, but the investigation at times comes close to being ScoobyDoo-like instead of Sherlock Holmes.
The mystery at hand isn’t really as mentally and physically tormenting as originally presented in the start of the episode in Watson’s narration, no matter how hard they tried to portray it as such. It doesn’t achieve that feeling of awesomeness that a fan of the show would expect, it’s only in the last 20-30 minutes that the flow returns to its best.
It was great to see our favourite high-functioning sociopath back in action in a different era whilst stills holding links to the overall story and not being just a standalone, unrelated episode. Nonetheless it doesn’t live up to high expectations.