The Martian Review

The Martian is an epic sci-fi adventure by the legend that is director Ridley Scott.  He tries to not only show the capabilities of human kind, how far we can go, our instinct for survival but also the capabilities of science and what it allows us to achieve.

The film revolves around a single character, Mark Watney, portrayed by Matt Damon and just like any other movie revolving around an individual, its success is very much built on the actor’s performance.  Luckily it’s an incredible performance by Damon, probably not one for the Oscar, but that doesn’t take anything away from the fantastic way he embodied a NASA scientist on Mars. Even though the focus is on Damon’s character, there is still another part of the movie, which has a great supporting cast adding even more charisma to the storytelling.

The Martian tries to stay away from the dramatic side of things, for the most part.  There is less focus on how Watney reacts and more on how other people react with his efforts and struggles.   Should the movie have shown a bit more on the dramatic side of things it might have been an instant classic and Damon would have a shot at an Oscar but that is not what the movie is about.  Borrowing something that Neil  deGrasse Tyson said about the movie “Science, not human emotion drives the plot’s humor, interpersonal relations, tension and suspense”.

One of the most important aspects of the film, is its jaw dropping cinematography, simply amazing work to capture the essence of the story and the backdrop that is set on.  Ridley Scott is back to his best, with this incredible adventure which ticks all the boxes.  It’s funny, intense and most importantly inspiring.  It might not bring anything new to the movie world, but in terms of influencing people with some great storytelling it definitely will.



Tomorrowland is more than just the name of the movie, it’s an idea, that epitomizes Disney and which a few people set out to pass on to the world through the medium of film-making.  Director Brad Bird (Mission Impossible: Ghost Protocol, The Incredibles, Ratatouille), is at the forefront of this project and once again manages to leave the audience gasping for air by taking us on a magical ride, beautifully filmed and visually stunning throughout.  However the music score is a bit of let-down, it’s not by any means awful but it’s reminiscence of animated films or kids’ movies rather than that of a movie of epic proportions.

George Clooney and Britt Robertson have a very good chemistry on screen and their energetic and dynamic performances are infectious.  Nevertheless it is young Raffey Cassidy who steals the show with her charming portrayal of a peculiar character, called Athena.

Tomorrowland is first and foremost innovative, it’s a story filled with humor and excitement.  It’s something we haven’t experienced 10 times already, and the ideas that it brings to the table hold up very strong, well at least until the last 30 minutes of the movie when that plot gets derailed.  The ending is a bit forced and doesn’t suit the rest of the film.  The people at the helm get so caught up in delivering one message to the world loud and clear, that they throw everything that was good, out the window, and leave it exposed to gaping plot holes and unanswered questions.

Disney delivers another grand journey and even though the destination is mediocre, it’s an enjoyable ride.


Mad Max: Fury Road-Review

It’s madness throughout. The movie is one single, never ending action sequence, from start to finish, one simply cannot take a break from this breath-taking spectacle. If you thought you were in for a ride, you were right, but it’s probably a bigger and more intense ride than you expected. There is not much in the way of story depth, character development or dialogue, after all there is no time for that nonsense, the images on the screen do all the talking by themselves.

Amazing and spectacular are the words best suited to describe the filming, editing and soundtrack of this two hour enthralling ride. One can only admire the work that was put into it. It’s so masterfully created, that the results are stunning.

George Miller is back at the helm of the Mad Max “revisit” as he calls it, (it can be thought as a reboot or sort of sequel, it all depends on opinion) directing Mad Max for the fourth time in as many movies in the franchise. A character who has to be his greatest creation, set in a dystopian Australia where civilization has collapsed, and all that is left is a desert ruled by crazy Wastelander gangs that are almost as mad as Max himself.

The story, (some might argue that it doesn’t exist) is linear with no real depth, there is no getting to know the characters, no acting masterclass nor is there an introduction to the scenery either. However that doesn’t matter at all since the brush strokes by Miller are supremely executed, the way he brings the most lifeless desert to life on the screen, is to die for. All you can do is try not blink because you will most likely miss something exploding or destructing. Just enjoy the ride through the ruins of civilization.

I can spend a lot of time singing the praises for the production of the movie, probably as long as you will be wondering how they managed to film all those brilliant action scenes, but I would rather go on to recommend it to anyone that enjoys a well-made action film, some might even call it an Action masterpiece, I will leave that for you to decide.